Originally published in 1964 as The Campaigns in Egypt and Libya 1940-1942 and now reprinted by Pen & Sword, this classic piece of military history by David Braddock is a generals’-eye view of the war in the desert.
I’m not sure I can articulate what it is about illustrations and paintings that can often be more satisfying than photographs — perhaps it is simply the touch of the artist’s vision and imagination — but whatever that quality is, this lovely volume has it in spades.
IMAGES OF WAR: THE FALL OF BERLIN is a richly detailed photographic record of the German military in 1945.
Making ample use of eyewitness accounts from war diaries on both sides, and with a wealth of maps and photos in support, Arras Counterattack: 1940 follows developments from the British assembly areas and start lines to their high-water marks and Rommel’s improvised defense and riposte, achieving an immediacy that conveys to readers something very close to “what it was really like” on that day nearly 80 years ago.
The “Zeke” models pictured here are actually based on the aircraft in The Eternal Zero. Tamiya came out with a version of the A6M5 with decals to match the squadron shown in the film.
Panther Tanks: German Army and Waffen-SS, Normandy Campaign 1944, by Dennis Oliver, is tailor made for hobbyists. It offers modelers and tank buffs the same successful formula as other books in […]
These books detail and evaluate the quality of all of the gear used by German and British airmen in 1940, from goggles to jackets. Photos include close-ups of surviving, museum-quality examples as well as snapshots of the men wearing them nearly 80 years ago.
Peter Jacobs’ impressively researched account will engross students of the air war in Europe with two parallel tracks: first, the evolution of each side’s strategies and tactics and second, perhaps even more fascinatingly, the desperate technological race that ensued between Bomber Command, as it tried to find its targets in the dark, and the Luftwaffe’s Nachtjagd, as it in turn tried to find and destroy the intruding British bombers.
The immense trove of photographs, most of which feel like they were taken from someone’s personal scrapbook, shows Rommel in every scene, inspecting troops and weapons, scouting the battlefield, and conferring with other officers. When paired with the diaries, reports and letters of men who served with Rommel, these quotidian images allow us to see through the veil of myth and discover the reality of the man and the campaign, not the propaganda or the hype.
In this era, one can find a great deal of information like that contained in these reference works by searching online, and that mode of exploration certainly holds its own pleasures. For myself, however, the book that contains the well organized work of someone who has invested more time and effort than I ever will — remains a pleasure worth maintaining.